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After this meteoric rise, she’s become the youngest first-timer of this season. Despite her age, she has been in the industry for over a decade and she proved it with versatility, commitment, and poise in hosting this legacy sketch show. Similar to last week, SNL benefited from embracing more provocative and twisted content. Ortega’s unique persona blending innocence and darkness enhanced this trend and made for a terrific episode. Tomorrow’s Academy Award red carpet served as tonight’s cold open.
The Jonas Brothers Rocked SNL for the Third Time as Musical Guests: Watch
The band performed two songs from their upcoming '70s-rock-inspired LP, The Album, which is set for release on May 12. And like many musical guests, the Jonas Brothers were down to clown with the SNL cast, appearing in a hilarious throwback Sally O'Malley sketch alongside Shannon. It's always a blast with the Jo Bros. in the house, and they made no exception during their latest SNL appearance. Next to “Please Don’t Destroy – Road Trip,” “Waffle House” was the best sketch of the night due to its complexity.
Jenna Ortega
Inspired by last year’s viral video of a Waffle House employee catching a chair mid-air, the sketch involved the delicate balance between two different planes of action. Balancing a WB-inspired teen drama with the chaos of Waffle House at night (if you’ve been, you know), the disparate elements came together in perfect comedic harmony. Ortega and Marcello Hernandez’s dedication to playing it straight only amplifies the escalating violence in the background bacchanal. The sketch was an exercise in restraint by defying the urge to bring the camera into the background action. It was inevitable that the two planes of action collide with someone or something coming through the glass, the reveal of the father was the perfect unexpected twist. Last year, The Hollywood Reporter called Jenna Ortega the “next big thing,” and now she is hosting Saturday Night Live.
The first-timer proves to be the perfect muse for SNL's writers
It’s all pure nonsense, which is probably what the show could use a little more of these days. After singing "Waffle House," the brothers slowed it down for a mesmerizing performance of "Walls." The song is romantic, musically dynamic, and vulnerable; a true testament to the Jonas Brothers' timeless talent. The skit is full of laughs, and Saturday Night Live really hit the nail right on the head with clever short that taps into the chaos and beauty of the Waffle House experience. It might have hit a little too close to home for some of us.
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In case you’re wondering, a “724” isn’t a real police code – unless it’s a new addition created especially for Waffle House brawls? He tries to tase the shirtless guy while a child grabs his gun and runs off firing rounds into the ceiling. (?!) The whole affair degenerates into something like Lord of the Flies — or maybe the diner episode of Netflix’s The Sandman (with a little less blood).
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Saturday Night Live Recap Season 48, Episode 16: Jenna Ortega Delivers Season's Funniest Yet - TooFab
Saturday Night Live Recap Season 48, Episode 16: Jenna Ortega Delivers Season's Funniest Yet.
Posted: Sat, 11 Mar 2023 08:00:00 GMT [source]
At its best, it was a nice break from the typical reenactments of political press conferences and news reports while remaining topical. Mainly structured as a takedown of Hollywood culture and the inaneness of award shows, it felt like the writers threw as many ideas as possible at the wall just to see what might stick. From Ozempic to Michelle Williams’ Jewish acting coach, or maybe more accurately, acting Jewish coach, the sketch had the potential to dig into, but nothing scratched the surface. The entire exercise felt like a revolving door of impressions without any real direction.
The best proof came from “Jingle Pitch,” which seemed the least suited to Ortega, she still made it work. There was a terrific moment where she nearly breaks in response to Bowen Yang’s frenzied performance, but she manages to hold it all together. Ortega’s performance was a testament that comedy should be taken seriously and rooted in the reality of each character.
However, the simplicity and relatability of “Please Don’t Destroy – Road Trip” won out. A great premise, the sketch juxtaposed the hopes and dreams of a road trip with its inevitable and harsh realities. Contrasting the cheerful musical interludes with bursts of passive aggression created a hilarious unease. It was Jean-Paul Satre’s No Exit (pun intended) set in a four-door metal box on the open road. Joining iconic '90s SNL alum Molly Shannon as Host, the Jonas Brothers got cozy as musical guests for the third time on the show.
Studio 8H was burnin' up during the April 8 episode of Saturday Night Live after the Jonas Brothers took the stage. Her dad happens to be the shirtless, tatted man who was just thrown through the window. He pops up, dusts himself off, and simply says “You ready to go baby girl? ” as if getting thrown through a glass window is a rather common occurence. First of all, Ortega and her counterpart are delivering truly emotional dialogue, which helps to make the chaos unfolding inside the restaurant behind them that much more funny.
The comedy show pulled off a hilarious juxtaposition of foreground and background scenes with this “Varsity Valley” skit. Looks like the writers at Saturday Night Live did a deep dive into all of the Waffle House lore in order to pull off this perfect skit. The NBC App is the best place to catch up on the most recent season of your favorite shows, watch live TV, and stream movies. Some of the best memories are born at your local Waffle House, and the Jonas Brothers threw an all-out party for their upbeat performance of their track winking at the restaurant.
Nearly everyone in the cast found a moment to shine tonight, but the standout, of course, was Jenna Ortega. Each sketch felt tailor-made for and propelled by Ortega’s unique star power. She started with a solid monologue, but it was her character work in each sketch that was astounding. Her commitment to each character and her craft was admirable and elevated each sketch.
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